Machine-Aquarium. Claude Monet et la peinture submergée. Antique scenographer

scenographer

following it

D'une longueur proche de 4

the photographic construction of a territory according to Thierry Girard is often constituted around a journey that can represent the line from one point to another whether imagined or real like the subway lines in Japan with "Yamanote" and "Tenjin" that the photographer follows from station to station

Georges Leskowicz's collection of Japanese ukiyo-e prints is one of the most important in the world

Machine-Aquarium. Claude Monet et la peinture submergée. Antique scenographerIt is a strange liquid diorama that envelops the visitor in Water Lilies of the Orangerie, confronted with this water of pigments like the glass panel of an aquarium. The aquarium is this machine for seeing differently, where things move as if weightless and floating, and which immediately inspires painting and the nascent cinematography with the novelty of its spectacle. Perceived by artists, philosophers and writers of the late 19th century century